除去摇滚音乐，大陆音乐人制作出的相当优秀的专辑之一。
这是大陆才女艾敬的首张个人专辑，没有充分展示她的创作才华，只收录了一首她自己的创作，但充分体现了她的音乐风格——民谣类歌曲，为她树立起一个比较完整的形象。

Martyr
中离！
——生活是一句哑谜，在你想都还没想好问题究竟是什么，答案却呼之欲出。
“中离”是网路时代流行术语，
意指那些游戏才玩到一半，各种因故离开的玩家。
这一生就像是线上游戏，当每接到一个任务，就意味将要拓荒一部分阴影地图，或解锁更新的关卡。这款游戏的目标只有一个：认识你自己。直到你“登出”的那天，你能回馈给游戏的，就是你每次做选择时，你内心中的信念和专注。
在这场长达“六十万小时”的开放任务里，你可能会玩到一场别人已经玩过的游戏；也不一定你玩得很吃力，却透过和同在的玩家们一起狂欢过、争吵过，而合解过、道别过。
有一条特别窄的道路在这款游戏，专门服务那些不满足于普通玩法的职业型选手，他们走上这条路，就像点选高难度模式。纵使每一次战斗都可能旋即输尽，但不同的惊险历程却也伴随最高意志的低语，只要你准备好，祂便会告诉你那把终极钥匙在何处。
从最高难度游戏过关的人，即自动中离且不受到任何游戏惩罚！中离者将与每一世代的中离者们相遇；正因为他们都曾展现同一种过人勇气，所以他们是心心相映的。他们也将永驻青春，在隐藏的伺服器里携手维持有意识的和谐，而他们获得的奖赏？是接近无所不能。
邱比沉迷于时空之外，透过写歌和内心的真我连结，从混乱臣服当下。
11首独特视角的先锋歌词跟未来世代无缝接轨，邱比的极简之曲透过沈安华丽的西岸风格，共谱当今流行之最；邱比邀请义大利电音诗人Alfa Hydri为《中离》作序、平面设计师龙佑玟再度设计专辑封面。
一面是刚烈真情的激流，一面是遗世独立的雍容。邱比把他最大的希望寄托在未知，用《中离》携手他的乐迷们一起脱胎换骨，成为出凡入圣的平衡探险者。
“这张新专辑声音听起来非常清脆、干净、瞬态好！『纯粹』是最高赞誉。听众可以第一次好好地认识我的歌声。利用全新的麦克风与有别以往的唱歌方式，全辑在人声处理上做到了自然的现场感，一口气听完，像一趟神奇的旅程。”—— 邱比
当你一鼓作气听完《中离》，你全身的小细胞都会开始用最鲜活的方式运作，最初可能有点辛苦，但不久后你就会越来越舒缓。紧追那无声的悸动，他会引领你穿越时空，发现古老的无限矿藏！

The Brothers Johnson were an American funk and R&B band consisting of American musicians and brothers George ("Lightnin' Licks") and Louis E. Johnson ("Thunder Thumbs"). They achieved their greatest success from the mid-1970s to early 1980s, with three singles topping the R&B charts ("I'll Be Good to You", "Strawberry Letter 23", and "Stomp!").

朋友们，这里是垃圾场，这里没有干净的声音，
只有被踩过、用过丢掉的：生命的证据。
被遗弃的欲望、坏掉的身体，它们全部堆在这里发酵。

Wild Honey is the thirteenth studio album by American rock band the Beach Boys, released December 18, 1967 on Capitol Records. It was the group's first foray into soul music and was heavily influenced by the R&B of artists such as Stevie Wonder. The album was the band's worst-selling at that point, charting at number 24 in the US. Lead single "Wild Honey" peaked at number 31, while its follow-up "Darlin'" reached number 19. In the UK, the album peaked at number seven.

Written between Summer 2022 and Summer 2024, this is the answer to 2022's "Where'd Everyone Go ?". Where "Where'd Everyone Go ?" shows a descent into depression, isolation, and insecurity "There You Are !" shows the opposite, a gradual, painful escape from the depths of suicidality, gender dysphoria, heartbreak, and loneliness. The songs here collect my last two years of finding myself personally, sexually, stylistically, and the hardship that that entails. I want to thank the people that I wrote these songs about or for, you all helped make me into who I am today and without you I couldn't be me. Thank you to my closest friends June, Will, Kayleigh, Greta, and Hayley, for dragging me out of whatever bullshit I threw myself into, and for listening to me ramble about how the album needs more low end, or the snare isn't loud enough, or whatever other nitpicks I had, I love ya'll to death. Additionally I'd like to thank B Lambert and Will Schwester for truly inspiring me and pushing me to be the best musician and artist I can be, you two are the artists I look up to the most, love both of y'all so much. Lastly I'd like to thank everyone listening, everyone who looked forward to this album, everyone who's ever asked us to play a show or to come to their city, everyone who's bought or DIYed merch, and everyone who's reached out generally. Genuinely thank you from the bottom of my heart !!!!!!

~ Eva

Attica! is the 5th album from Cincinnati's Wussy, and the first to be released jointly in the US and UK. These 11 new tracks were recorded with old Afghan Whigs pal John Curley at Cincinnati's legendary Ultrasuede Studios. John Erhardt rejoins forces with former Ass Ponys bandmate Chuck Cleaver as the band's fifth member on some Dark-Side-inspired pedal steel, adding a further psychedelic element to Wussy's ever-developing swirl of noise. Attica! is the band's loudest and quietest record to date, finding Cleaver and co-leader Lisa Walker at their lyrical best and Wussy as a whole at their weirdest and finest. About Wussy: Fronted by former Ass Pony Chuck Cleaver and the previously unaffiliated and brilliant Lisa Walker, Cincinnati's Wussy is a rock band that'll remind you on the deepest level why you love rock bands. The central conceit: Submerging pristine, literate songwriting in the rumble and roar of a full band. The secret weapon: A chemistry so rare, powerful, and under-recognized it inspired Robert Christgau--America's tersest rock critic--to publish a 2,000-word love letter to ''the best band in America.'' (David Schmader, The Stranger)

Moby可以说是电子音乐界的异类，家庭环境是造就他特立独行的最大因素，父母亲皆是磕药的摇滚激进份子，
早在幼年时期，父亲就因磕药车祸身亡，孤独与不快乐似乎已成为童年挥之不去的阴影，从吃素、不抽烟，磕
药及喝酒，提倡环保、人文思想以及反暴力、对社会不平等之看法，一再出现于电子音乐哲学家、思想家的作
品专辑中，从最新专辑「PLAY」单曲＜Why Does My Heart Feel so Bad？＞ 的MTV中，Little Idiot Moby
(Moby卡通人物化身)身处在已被战争、人类破坏殆尽的地球上，四处可见枯死的树木、荒凉的沙漠及被大海淹
没的陆地，孤单的行走而无人理会，始终在他身边的只有一只毫不起眼的小狗，结尾部份在梯子顶端观看月亮
，更透露出强烈的落寞感，似乎对他来说孤独已成为日常生活的一部份，甚至全部。
如果说Moby是电子音乐界的鬼才或顽童，我想是没有人会反对的。不按常理、无法捉摸的音乐型式始终是世人
对其作品的见地，从单曲＜Thousand＞得到金氏世界记录「史上最快的歌曲」就可得到映证。对他的作品，要
以单一种音乐型式呈现是较为少见的，总是尝试性的融合各种不同类型的音乐型式，又能将旋律诠释的如此完
美，就拿这次的新专辑「PLAY」来说，取样自1925年史学家Alan Lomax的田野录音作、黑人灵歌与蓝调福音，
搭配着Hip-Hop的节奏和凄美的弦乐与钢琴旋律，再加上Moby透过效果器的人声献唱与轻迷浪漫的民谣吉他，总
是很怀疑他的构想来源是如此的精湛及诡异，毕竟天才仍旧是少数的。
年度 专辑名称
1992 Moby
1993 Ambient
1995 Everything Is Wrong
1996 Animal Rights
1996 Everything Is Wrong: DJ Mix Album
1997 I Like to Score
1998 Animal Rights [Japan]
1998 Animal Rights [UK Bonus Disc]
1999 Play
年度 合　辑
1993 Early Underground
1995 Mixmag Live!, Vol. 7
1996 Rare: Collected B-Sides
1999 Story So Far
年度 单　曲
1991 Next Is the E
1991 Drop a Beat [EP]
1992 Go Remixes [EP]
1993 All That I Need Is to Be Loved
1994 Hymn [UK #1]
1994 Hymn [UK #2]
1994 Hymn [US]
1994 Feeling So Real
1994 Move EP [EP]
1995 Everytime You Touch Me
1995 Bring Back My Happiness [EP]
1995 Into the Blue (Remixes)
1996 That's When I Reach for My Revolver
1996 Animal Rights
1996 Come on Baby
1997 The James Bond Theme [US]
1997 James Bond Theme: Re-Version
1998 Honey [UK #1]
1998 Honey [UK #2]
1998 Honey [US CD #1]
1998 Honey [US CD #2]
1998 Honey [US 12"]
1998 Honey (Remixes) 1999 Run On [UK LP Single]
1999 Run On [Germany LP Single]
1999 Honey
1999 Bodyrock [UK]
1999 Bodyrock [US]
1999 Why Does My Heart Feel So Bad? [12"]
1999 Why Does My Heart Feel So Bad [CD #1]
1999 Why Does My Heart Feel So Bad [CD #2]
2000 Why Does My Heart Feel So Bad [Australia]
2000 Natural Blues [US CD SIngle]
2000 Natural Blues, Pt. 1 [UK CD Single]
2001 Natural Blues, Pt. 2 [UK CD Single]
2000 Run on, Pt. 2 [Import CD Single]
2000 Run on, Pt. 1 [Import CD Single]
Moby辉煌史
葛莱美奖提名 Grammy Nominations
最佳另类专辑「PLAY」for Best Alternative Performance (an album category)
单曲＜Bodyrock＞最佳摇滚乐曲＜Bodyrock＞ for Best Rock Instrumental Performance
英国音乐大奖提名Brit Award Nomination
最佳国际男艺人Best International Male Artist
1999年美国得奖成绩 Best of 1999
村声音乐杂志 Village Voice 年度最佳专辑第1名
独奏音乐杂志 Solo Magazine 年度最佳专辑第3名，"Honey"年度最佳单曲第10名及90年最佳专辑第20名
美国娱乐周刊 Entertainment Weekly 年度最佳专辑第4名
滚石杂志 Rolling Stone 年度最佳专辑第5名
男性风尚杂志 GQ 年度最佳专辑第2名
亚马逊网络书店 Amozon.com 年度最佳专辑第4名
美国今日杂志 USA Today 年度最佳专辑第4名
美国专业杂志Gear Magazine 年度最佳专辑
时人杂志 People Magazine 年度最佳专辑
华盛顿日报Washington Post 年度最佳专辑第10名
芝加哥论坛 Chicago Tribune 年度最佳专辑第3名
波士顿全球日报Boston Globe 年度最佳专辑第2名
美国洛杉矶时报 L.A. Times 90年最佳专辑第10名
美国校园电台杂志 CMJ 年度最佳专辑第4名
美国DJ专业杂志 Mixer 年度最佳专辑第3名
1999年英国得奖成绩
英国Heal杂志 年度最佳专辑
英国The Face杂志 年度最佳专辑第4名
英国DJ专业杂志 Jockey Slut 年度最佳专辑
英国Muzik音乐杂志 最佳单曲＜Why Does My Heart Feel So Bed？＞
英国Esquire杂志 年度最佳专辑
英国Ministry舞曲专业杂志 年度最佳专辑第8名
英国Evening Standard杂志 年度最佳专辑
英国Flipside杂志 年度最佳专辑第2名，年度最佳单曲＜Run On＞
英国Molo专业杂志 年度最佳单曲＜Honey＞
英国Q专业杂志 年度最佳专辑
英国Sky杂志 年度最佳专辑第8名

Endtroducing..... is the debut album by American music producer DJ Shadow, released on September 16, 1996 by Mo' Wax. It is composed almost entirely of samples, mostly from vinyl records, and features moody, slow tracks and upbeat jams reminiscent of Shadow's early hip hop influences.

Marshall Crenshaw is hard to describe, maybe a sort of rockabilly singer/guitarist who issued numerous albums in the 1980s. We now proudly bring back four of his out-of-print releases on CD. Field Day reached # 52 on the charts in 1983. 10 tracks. Wounded Bird. 2005.

After the release of 1982's All This Love, the group became one of the most popular and talented acts in music. While that effort was a likeable though uneven affair, In A Special Way was, in short, a classic. This boasts a minimalist and artful sound, and rumor has it that the horn tracks were lost during the recording. So as a result In A Special Way is one of the most spare and effective albums of the '80s. The first track, the synth based "Be My Lady," and the bittersweet and pragmatic "Need Somebody," both feature lead vocals from James DeBarge. In A Special Way also marked the coming of age of the vocally gifted El DeBarge as a producer and writer. The biggest hit here, the poignant and spare "Time Will Reveal," is perfect, from its beautiful arrangement and flawless backing vocals to El DeBarge's amazing lead. His prowess also makes the potentially overdone sentiments of "Love Me In A Special Way" come off instead as romantic and effective. The last track, "A Dream," was written and sung by Bunny DeBarge. With a great melody line, the song accurately attains a sense of longing as Bunny DeBarge's lead is particularly moving. Although R&B and rap have appropriated segments of this album in every conceivable manner, the greatness begins and ends with this album.